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This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 License.
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 License.
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Welcome to "When I Wax"-- a place to escape the pedants and wax poetic, or even wax artistic.
The mythologist Joseph Campbell was asked by an interviewer how a regular person could preserve his sense of the mythic when so many feel too besieged by the claims of every day living. He said, "You must have a place to which you can go, in your heart, in your mind, or your house, almost every day, where you do not know what you owe anyone or what anyone owes you. You must have a place you can go to where you do not know what your work is or who you work for, where you do not know who you are married to or who your children are."
When I Wax is such a place for me. Blogging drafts of poetry and other sundries is like practice fly-casting on the front lawn... it may look silly, but it's effective...
The mythologist Joseph Campbell was asked by an interviewer how a regular person could preserve his sense of the mythic when so many feel too besieged by the claims of every day living. He said, "You must have a place to which you can go, in your heart, in your mind, or your house, almost every day, where you do not know what you owe anyone or what anyone owes you. You must have a place you can go to where you do not know what your work is or who you work for, where you do not know who you are married to or who your children are."
When I Wax is such a place for me. Blogging drafts of poetry and other sundries is like practice fly-casting on the front lawn... it may look silly, but it's effective...
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Anatomy
- ADK
- Africa
- aiki
- allegory
- anagram
- art
- Cagey Tweed
- children's art
- crossings
- debt
- eclipsing luna
- festival of trees
- guest art
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- guest poetry
- haibun
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- hybrid
- inspiration
- jade
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- literary quotes
- lyrics
- Momix
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- Previously published
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- superior
- symbolism
- video
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Capilarities
- Almost Literary
- An Eudaemonist
- Art Propelled
- Beauty We Love
- Bibliodyssey
- Buffalo Pen
- Butterfly
- Clarity of Night
- Extra Special Bitter
- Face First
- ...Failed Painter
- Festival of the Trees
- Find Me A Bluebird
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- Whiskey River
- Yuckelbel's Canon
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Other Veins
Vitals
- KGT (aka Cagey)
- Tentative philomath, aspiring polymath. Sometimes ribald, most times Renaissance, always looking in the rearview mirror.
CURRENT MOON
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 License.
Thank you
For the Angel of Death spread his wings on the blast,
And breathed in the face of the foe as he pass'd;
And the eyes of the sleepers wax'd deadly and chill,
And their hearts but once heaved, and for ever grew still!
George Gordon Byron
The Destruction of Sennacherib
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 License.
4 comments:
Such erotic, beautiful plants.
I love them
the first photo reminds me of an O'Keefe painting, the second more masculine and the third sublime with the light, shadow, and bridal white against the fertile green. beautiful photos, wanting to be touched.
Thanks for the comment RachelW! I couldn't agree with you more. Its no wonder that Diego Rivera liked them so much.
Momoxie- thank you. Interesting that you mention O'Keefe-- did you know that "...During the second half of the nineteenth century, the exotic South African calla lily was introduced in the United States, and it began to appear as a subject in American art. The flower became even more popular with artists after Freud provided a sexual interpretation of its form that added new levels of meaning to depictions of it. The calla lily soon became a recurring motif in works by important painters and photographers, particularly Georgia O'Keeffe, who depicted the flower so many times and in such provocative ways that by the early 1930s she became known as "the lady of the lilies." From a description of the book "Georgia O'Keefe and the Calla Lily in American Art, 1860-1940."
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